The Female Gaze in Passing
Passing by Nella Larsen discusses themes of race, and how it
relates to identity, but she also has a strong focus on the female gaze. There
are many instances where Irene is self-conscious about how she is presenting
herself to Clare. For example, in one instance, Irene is analyzing how Clare is
treating her and immediately figures something is askew about her presentation.
ON page 18 when she first encounters Clare at the hotel she worries, “Had she,
in haste in the taxi, put her hat on backwards? …Perhaps there was a streak of
powder on her face… Something wrong with her dress?” Irene, as a character, is
someone who is very neurotic. She likes to be in control and always needs to
know what is going on for her own sanity. gives off a very neurotic nature as a
character, needing to be in control of every little detail. In this reaction to
a another woman looking at her, she immediately things that something is wrong,
a feeling that many women have experienced. The relationship that Irene and
Clare embody throughout the book, demonstrate a toxic culture that is
intertwined with this ideal image that women are expected to achieve.
Girlfriend culture is often linked to the term sisterhood where
women unite to form connection and defy the patriarchal system, yet it is not
nearly the same. Girlfirend culture is often defined in relation to the term
female chauvinism mentioned by Airel Levy in her book, Female chauvinist pigs:
women and the rise of raunch culture. Winch writes, “Levy argues that much
contemporary misogyny is perpetuated by women themselves. She coins the term
‘female chauvinist pigs’ to describe women who make sex objects of other women
and themselves” (360). The argument that both Winch and Levy are making, is
that the constant competitiveness and jealousy that females have are not linked
to a man, but rather an image. It is not a man that causes women to conform to
some kind of standard image, but rather the culture that pits women against
other women causing them to hyper analyze the way they present themselves. What
is interesting about this concept is that Ariel Levy, coined this turn in the
21st century, yet these mannerisms between the women in the story
take place hundreds of years before. Of course Irene’s personality, social
class, and the fear of being caught as “passing” also play a factor in her
response to Clare staring at her, but we see her act this way outside of a
setting where she would be worried about passing later on in the story as well.
I agree with what you say about the female gaze, that there's more to "passing" in the book beyond what Nella Larson is focused on, because in the relationship between Irene and Clare there's this whole other level with passing that is gender focused. Your text examples kind of say it all, it's relatable to what every girl can kind of understand.
ReplyDelete